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The logo shows a network consisting of an irregular grid of purple nodes of different sizes and the word "copas" written in red letters. The word "copas" is located slightly to the right and the top of the center; the purple nodes are scattered about above, below, and to the left of the word. Light grey lines connect the purple nodes and red letters. To the right of the logo, the acronym copas is spelled out in red letters: Current Objectives of Postgraduate American Studies.
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  1. Home /
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  3. Vol. 18 No. 1 (2017)

Vol. 18 No. 1 (2017)

Published: 2017-07-06

Editorial

  • Editorial

    Paula von Gleich, Marius Henderson, Jasmin Humburg, Julia Lange, Mariya Dimitrova Nikolova, Samira Spatzek
    • PDF

Articles

  • The Function of Form, Fiction, and Faith in Elisabeth Elliot’s Life Writing

    Mareike Zapp
    • PDF
  • Resisting Xenophobia: Transatlantic Mobility and Aleksandar Hemon’s Immigrant Autobiography The Book of My Lives

    Elvira Bolanca-Lowman
    • PDF
  • Black Protest on the Streets: Visual Activism and the Aesthetic Politics of Black Lives Matter

    Nicole Anna Schneider
    • PDF
  • “Perceptions and Their Mutability” in Siri Hustvedt’s Works

    Diana Wagner
    • PDF
  • 'Extreme Forms of Aging:' The Case of Sam Berns

    Julia Velten
    • PDF
  • Reading Time Travel in Octavia E. Butler’s "Kindred" as Sankofa

    Alena Cicholewski
    • PDF
  • The Struggle of Being Alive: Laboring Bodies in Paolo Bacigalupi’s The Windup Girl

    Juliane Straetz
    • PDF
  • Seeds of a Future World: Science and Technology in the Digital Art of Elizabeth LaPensée

    Kristina Baudemann
    • PDF
  • Disenfranchised Mothers and Maternity Insurance – Tracing Progressive Arguments in Ernest Hemingway’s Short Stories

    Alina Schumacher
    • PDF

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ISSN: 1861-6127

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