Toward a Trans Rural Imaginary: Representation, Counterpublics, and Space in National Anthem
DOI:
https://doi.org/10.5283/copas.418Keywords:
Trans Representation, Trans Rurality, Queer Rurality, Trans Geography, Queer Cinema, American WestAbstract
This article examines Luke Gilford’s film National Anthem (2023) as a representational intervention into dominant imaginaries of trans visibility, rural space, and American national identity. Drawing on Michael Warner’s theorization of publics and counterpublics and extending it to explicitly consider their discursive implications for space, I argue that the film constructs a trans counterpublic grounded in the visual and symbolic terrain of the American West. By situating trans embodiment within rural aesthetics and practices recognizable to a dominant US-American public, National Anthem reimagines rural space as a site of queer belonging, challenging the presumed incompatibility between trans life, rurality, and US national identity.
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Copyright (c) 2026 Catherine Faith Gastin

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